Tuesday 26 March 2013

a letter to the person i will not be working for in four months...

aka. my agent:

it's a shame that i'm even writing this letter as i really had high hopes for our working relationship after our initial meeting.
okay, maybe i'm lying.
prior to meeting with you, i met with 3 out of the top 5 agencies in toronto who all had the same feedback: 
- great talent with a lot of potential
- encourage you to work on building an even larger body of work
- please focus on gaining some union status as that will lead to more opportunities to work with established professionals and gain more connections in the business
- please re-submit within six months
- wish you all the best, blah blah

so, if i'm being completely honest, i came into this relationship with every intention of leaving you once i fulfilled the majority of these requirements.
i also felt that during our initial meeting i made it perfectly clear my disinterest in doing anything in the musical/live theater world for a good while.

flash forward seven months later and here we are:
you've gotten me a total of 10 auditions - 2 of which i've self submitted for and 3 of which i had to literally beg and plead to be submitted.
(i still have a feeling that you didn't actually submit 2 of the 3 self-taped video submissions to their respective casting directors but that's another issue in itself...)
oh and, you're still constantly sending me information on theatre auditions in and around the city.

now, i'm one to give credit where credit is due.
so, i do have to mention that of the 10 auditions, 3 of which were for casting directors i had never auditioned for before.
so for that, i thank you.
but that's about all i'm going to thank you for.

i'm constantly doing my part in trying to stay on top of what's casting in the city and have emailed you a few times about projects i feel fit my specs.
responses like "saw it. didn't submit you" irritates me to no end.
but you know what's more irritating?
seeing fellow actor friends of mine with very similar specs and weaker resumes booking projects that you weren't even submitted for...
let's not forget, refusing to submit me for american projects shooting in the city because "the chances of them casting a non-american is unlikely" even after informing you that i am a DUAL CITIZEN!

i'm on casting workbook, aaaction auditions, actors access and mandy a ridiculous number of times a day and for you to send me a submissions list that contains an overwhelmingly large number of projects I submitted MYSELF for, is beyond disturbing.
being scolded for EMAILING you "outside office hours" was laughable.

i could go on but this letter slowly turning into a short story and i can feel my blood pressure rising.

but here is where we stand:
it is tuesday march 26th, 2013 and as of this moment, i have accomplished a vast amount of the items on the "list of requirements" i was given by other agents.
i have also decided to call in some reinforcements to help make my submissions to these agencies much more effective this time around in the form of a working consultation with one of the city's finest acting coaches.
lucky for you, he's in LA until the first week of may or else i would have already started my agent search for 2013.
so, it seems like i'm stuck with you for 40 more days, 20 more hours and 41 minutes...

long story short, get your sh*t together or i'm gone.

deuces,
TA






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